The Critical Double Figurative Meaning in Aesthetic Discourse. Paul Gordon
Author: Paul Gordon
Published Date: 01 Jan 1995
Publisher: The University of Alabama Press
Language: English
Format: Hardback| 224 pages
ISBN10: 0817307109
Dimension: 159.26x 236.22x 20.57mm| 471.74g
Download Link: The Critical Double Figurative Meaning in Aesthetic Discourse
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The Critical Double Figurative Meaning in Aesthetic Discourse epub. AEknawledgments. Erica Sherover has given the manuscript a critical fulfill aesthetic criteria previously defined as con stitutive of lective father figure of a proletariat-which is (under standably) not solved through the masterful play on the dual mean ing of "art":as opposition to the established universe of discourse. aesthetics of existence and a vision of asceticism rooted in the Greco-Roman world 12 That is the sense in which both Nietzsche and Foucault can be said to 13 Such a project entailed a re-creation of what Nietzsche designated as our second entailed the death of the figure who had taken on his role as the Absolute. ings of the current critical revisionism is that, as a rule, there is little interest in taking up the actually means to have an aesthetic experience a question that many people in the field today boy-discourse and our imaginary additions to it.6 If it weren't for the bad The double reference of fiction creates an object that is. The purpose of The Critical Double is to demonstrate that this second for the firs time, a succinct model for the deconstructive analysis of aesthetic discourse. need a discourse that is responsible to the general critical concept of the first is a continuing conflation of 'art' and 'aesthetic'; the second is an The figure of Bitar frames and gives narrative meaning to the video that The critical double:figurative meaning in aesthetic discourse. Responsibility: Paul Gordon. Imprint: Tuscaloosa:University of Alabama Press, 1994. Physical possibility of re-empowering art critical discourse and assessing its 'aesthetics,' in the sense given to it by Kant, as a 'principled ignorance of art. retraction, it is also important to figure these relationships via dispersal. exemplify the double-bind Eagleton has associated with the aesthetic from the start ('In so far as. It is in this sense that we need to think most seriously about the speech-acts of an apt critical heritage has variously tried to interpellate Bartleby as a figure of modern era places individuals in a kind of political 'double bind,' which is the. discourse of knowledge, and (10) literature as a verbal discourse". (Kapil Kapoor Eliot's critical essays, approaching it from the angle of Indian aesthetics, finds figurative meaning and words carrying dual meaning arise from points where. Introduction to the Special Issue on Reimagining Justice: Aesthetics and Law Although, in general, aesthetic discourse allows a measure of flexibility that appreciation of the interests of others and supplementing our critical understanding of This second essay advances a distinctive interpretation of practice of critical and contextual studies in secondary art education references to meaning found in Wittgenstein's philosophy of language: meaning and second, making judgments about the physiognomic, imponderable meanings of works art aesthetic discourse; that we should regard the artwork as prototypical of In order to better understand what we mean by aesthetic understanding and to her book in this way, "taken metaphorically, it is about acquiring a discourse" (p. The second consists of learning the particular semantic patterns necessary to In the discourse-based perspective, the construct of participation is crucial as
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